VRAY LIGHT MANUAL
VRAY LIGHT TRIAL
VRAY LIGHT FREE

TheyвЂ™re called вЂ butterfly lightsвЂ, often used in carвЂ™s studio lighting.ДЄCCENT LIGHTS: To finish the light balance, I added some directional light to get the desired effect in the back part. This approach of using big V-Ray light planes is also used in real studios. SECONDARY LIGHTS: I used the same type of lights, with different intensities, to obtain the same as outside background.

KEY LIGHT: I used a large light plane to illuminate the outside background and a little light plane to get a directional light in the interior: Lighting вЂ“ Having in mind the method, I analyzed the reference picture scene to be able to determine the light hierarchy, after a few attempts, it turned out to be very easy to obtain. At this stage, I imported the Rhinoceros 3d file in 3dsmax. Then, try to find (and match) the right camera angle with reference image placed in the background. Seeing references, and the filmВґs scene over and over again. The first challenge to recreate the Matrix-Scene was to model by eye. You can really do what you have in mind! ( info about the course) Inspired by one of my favorite movies I decided to apply the method to see its scope and the result satisfied me a lot.

VRAY LIGHT FREE

When you work in archviz it is not easy to find a space where you can explore everything in a more free and creative way. The 5SRW Method gave me a simple and structured method to do it, in a photographic way. I never knew where to start and I was not sure of the result. Always confronting a new image was a challenge for me.

From there I was very interested to work in CGI and I am currently working in architectural and product visualization for 12 years.ДЇor years, I was contaminated by of all kind internet tutorials. The lower the Saturation ( Rendering-Render Setup- Indirect Illumination Settings вЂ“ Saturation) value will be вЂ“ the less the sky affects the color of lighting in the room, but also the less objects located in the room affect it, so do not do this optionвЂ™s value too small.Hi, my name is German Fuentes from Bogota, Colombia. It is possible to correct it by decreasing parameterвЂ™s value in render settings. Sometimes the sky gives a blue tint, and colors the room in blue. Then you can do a couple of test renders to configure the optimal lighting of the room. This can be adjusted in the sun setting, changing the brightness, by shifting the settings of Intensity multiplier parameter. Sometimes they are either dim or too bright, leaving a white spot. After setting up the optimal lighting of the room, you can correct the parameters of the falling sun rays.

VRAY LIGHT TRIAL

Once we set up the sky, you can do a couple of trial renders to adjust the brightness of the lighting. It is best to choose it according to your situation. It can be different for each scene, but usually this parameter is not greater than 0.1. This turning on will separate the management between sun and sky.ДЇurther, in the Sun Intensity multiplier parameter, we adjust the desirable value.

VRAY LIGHT MANUAL

Next, we need to turn on the Manual Sun Node parameter. But they will not be applied, as we do not do duplicate, but make a separate copy of our VraySky. Otherwise, we would have to change the settings without this parameter. Be sure to selects Instance copy type when you copying. After this, we are able to change the settings of daylight. To do this, we open the materials panel, and drag the VraySky lighting map there. That will allow us to adjust the room lighting correctly to your liking, as well as the brightness of daylight and the intensity of the sunвЂ™s rays. Now we have to separate these 2 components and to manage them separately from each other. VraySun lighting consists of two components: Sun and Sky. Once we have set the angle of inclination of the sun, we need to perform the following operation: to open the Environment window as it is shown on the following screenshot, where we can see that the environment map is set as VraySky. The closer the sun is to the horizon, the redder light from the sun will be. By the way, the rays color depends on the angle of the sun. We set the angle of inclination of sun optimally, so it would shine nicely in our room.

Once the sun was added, we need to agree that VRay adds own VRaySky map on the environmentвЂ™s map. So, after you have configured V-Ray, we need to add the sun itself to the finished scene. The method is convenient because it is possible to create high quality interior lighting relatively fast, as well as to have the effect of falling sunlight. You must perform these settings to use the VRaySun interior lighting technique. We shall consider the option of lighting of the room using VRaySun in this lesson. The lighting of the interior usingВ VRaySun andВ VRaySky

Vray light